My practicum project grows from an interest in digital bodies and algorithmic modeling as ways to visualize memory and emotion. I use simulation and 3D printing to externalize inner states that are usually invisible: fragments of recall, half-formed images, and feelings that repeat or dissolve before they can be fully grasped. Myriad Faces treats the human head as a site where these unstable memories accumulate and constantly reconfigure. The work is rooted in a specific fear: forgetting characters who exist only in virtual worlds—figures from films, games, and artworks whose stories once felt intimate and then slipped away.

The work uses 3D scanning, Gaussian Splatting, real-time rendering, and digital scene reconstruction to document spaces and everyday objects from the artist's hometown. Missing data, floating fragments, and visual distortions remain visible as traces of the scanning process. The digital model functions as an incomplete carrier of memory, addressing local experience, personal recollection, and urban disappearance.

The work uses AI-generated imagery, digital compositing, three-dimensional environments, and moving-image production to construct a speculative science-fiction narrative. Algorithmic organisms and synthetic spaces form an expanding digital settlement. The project considers virtual environments as new colonial territories and examines digital life, technological expansion, and the formation of artificial ecosystems.

The work combines mechanical installation, liquid circulation, collected urban materials, and spatial display to transform city infrastructure into a body-like system of continuous extraction and transmission. Blood functions as a metaphor for urban resources and consumed life, allowing the project to examine development, material circulation, and the dependency between individuals and infrastructure.